Damiano Michieletto

Within only a short space of time Damiano Michieletto has emerged on the international scene as one of the most interesting representatives of the younger generation of Italian directors. He studied opera and theatre production at the Paolo Grassi School of Dramatic Art in Milan and also graduated in modern literature at the university in Venice, his home town.

His critically acclaimed production of Jaromír Weinberger’s Švanda the Bagpiper at the 2003 Wexford Festival won an Irish Times / ESB Theatre Award. His other opera productions include L’italiana in Algeri at the Teatro Olimpico in Vicenza, La gazza ladra in a co-production for the Rossini Opera Festival in Pesaro and the opera houses in Bologna and Verona (the production won the 2008 Premio Franco Abbiati), Lucia di Lammermoor, Il corsaro, Luisa Miller and Poliuto in Zurich, Roméo et Juliette and a Mozart/Da Ponte cycle at the Teatro La Fenice in Venice, Die Entführung aus dem Serail at the Teatro San Carlo in Naples, La scala di seta at the Rossini Opera Festival and at La Scala, Milan, Il barbiere di Siviglia at the Grand Théâtre de Genève, Madama Butterfly in Turin, L’elisir d’amore in Valencia, Graz and Madrid, Martinů’s The Greek Passion in Palermo, Così fan tutte at the New National Theatre in Tokyo, Il trittico at the Theater an der Wien and the Royal Opera in Copenhagen, Un ballo in maschera at La Scala, Idomeneo at the Theater an der Wien and The Rake’s Progress at the Leipzig Opera and the Teatro La Fenice.

He made his Salzburg Festival debut with La bohème in 2012 and returned for Falstaff in 2013 and for La cenerentola in 2014. Engagements in the 2014/15 season included Il viaggio a Reims at the Netherlands Opera in Amsterdam and Guillaume Tell at London’s Royal Opera House. Among his 2015/2016 engagements: new productions of Mozart's Die Zauberflöte at Venice La Fenice, Cavalleria rusticana / Pagliacci at London ROH Covent Garden (Olivier Award 2016), Rossini's Otello in Wien, the revival of Puccini’s Trittico, staged at the Rome Opera, the debut at the Komische Oper Berlin with Massenet’s Cendrillon and the return at the Rossini Opera Festival in Pesaro with La Donna del Lago. In 2016 and 2017 he worked on the new productions of: Saint-Saëns’ Samson et Dalila at the Paris Opera, Perocco’s Aquagranda at La Fenice in Venice (Abbiati Award 2017), Falstaff at La Scala in Milan, Die Zauberflöte in Florence, Idomeneo at the Maggio Musicale Fiorentino, Verdi's Rigoletto at the Dutch National Opera in Amsterdam and Berlioz's Damnation de Faust for the season opening of the Teatro dell'Opera in Rome (Abbiati Award 2018). During 2018 he debuts at the Bolshoi Theater in Moscow with Il viaggio a Reims and he directs four new productions: Lehár's Die Lustige Witwe in Venice, Britten's A Midsummer night’s dream at the Theater an der Wien, Donizetti's Don Pasquale in Paris, Verdi's Macbeth in Venice.

Among his more recent engagements: new productions of Schreker's Der Ferne Klang in Frankfurt and Händel's Alcina at the Salzburg Festival (Pentecost and Summer Festival 2019), revivals of Don Pasquale in London, Die Lustige Witwe in Rome, Il viaggio a Reims in Melbourne and Sidney. In addition to that, new productions of Rigoletto at the Circo Massimo in Rome - a work that led to a project for the big screen produced by Indigo Film with the Rome Opera - and Berlioz's Béatrice et Bénédict at the Opéra de Lyon and Teatro Carlo Felice in Genoa, new productions of two Janáček's operas, Jenůfa for the debut at the Staatsoper Berlin and Kát’a Kabanová at the Glyndebourne Festival, and of two Strauss’s operas, Salome at La Scala and Der Rosenkavalier in Vilnius, moreover a film on Puccini’s Gianni Schicchi with Genoma Films, Rigoletto at La Fenice in Venice (Abbiati award) and La Cenerentola at the Semperoper Dresden. In 2022 he presented “Archèus. Labirinto Mozart” an immersive multidisciplinary installation created for the Venice Biennale, celebrating the 1600th anniversary of the city.

In the last years he directs: Gluck’s Orfeo ed Euridice at the Komische Oper Berlin and Festival di Spoleto, Battistelli’s Le baruffe at La Fenice (libretto by Michieletto), Händel’s Giulio Cesare in Egitto at the Théâtre des Champs-Elysées in Paris, the Italian premiere of Bernstein’s Mass at the Caracalla Baths in Rome, the world premiere of Animal Farm based on the novel by Orwell and composed by Alexander Raskatov at the De Nationale Opera in Amsterdam and at the Wiener Staatsoper, Les Contes d’Hoffmann at the Sydney Opera House, Venice and London, Aida at the Bayerische Staatsoper, Cherubini’s Médée at La Scala, Carmen at the Royal Opera House and Massenet’s Don Quichotte at the Paris Opera.

In the 2024-2025 season he stages Messiah at the Komische Oper, La fille du régiment at the Bayerische Staatsoper, Die Verlobung im Kloster at the Theater an der Wien, the world premiere of Il Nome della Rosa, an opera based on Eco’s novel and composed by Francesco Filidei. In 2025 he curates the program of the Caracalla Festival, the summer season of the Rome Opera.

Besides his busy schedule as an opera stage director, Damiano Michieletto is also actively involved in drama theatre, one other important element of his artistic career. He has staged a highly original and much appreciated version of Il Ventaglio (The Fan) by Goldoni, followed by a pungent and engaging production of The Inspector General by Gogol at the Teatro Stabile del Veneto; Divinas palabras by Ramón María del Valle-Inclán for the Piccolo Teatro of Milan, an essential and visionary piece of Twentieth century Spanish theatre; a new production of The Threepenny Opera by Bertold Brecht and Kurt Weill at the Piccolo Teatro in Milan; and La domanda di matrimonio / L'orso by Čechov with the Teatro Stabile del Veneto at the Goldoni Theatre in Venice (broadcasted on Rai5).

Currently he is working on the shooting of his first film, Primavera, loosely based on Tiziano Scarpa's novel Stabat Mater. The film is produced by Warner Bros Italia and Indigo Film, in collaboration with Moana Films.