Moisés Marín

The Spanish tenor was born in La Zubia, a village near the city of Granada. Critics have highlighted his beautiful timbre, his projection of sound along with his iconic stage acting. Since the 17/18 season when he finished his training at the Centre de Perfeccionament del Palau de les Arts, his name has become a regular on the billboards of the main Spanish theatres. Among his most recent major performances, he debuted as Belmonte in Die Entführung aus dem Serrail in Bilbao and performed as Pirro in Rossini's Ermione and Pollione in Bellini's Norma. Other engagements in recent seasons at the Teatro Real in Madrid, the Gran Teatre del Liceu in Barcelona, Bilbao and Valencia include Goro in Butterfly, Jacquino in Fidelio, Albazar in Turco in Italia, Incredibile in Andrea Chernier, Steuermann in Der Fliegende Holländer.

He also performed in roles such as: Percy in G.Donizetti's Anna Bolena conducted by Mº Fabio Biondi and Europa Galante, Dorvil in G.Rossini's La Scala di Seta with Mº Alberto Zedda, Duca in Rigoletto, Nemorino in L'elisir d'amore, Don Ottavio in Don Giovanni, Selimo in G. Rossini, Pang in Turandot; and at the Auditorium Parco della Musica in Rome, Il maestro di Scuola in La Piccola Volpe Astuta by Leoš Janáček and also Gherardo in Gianni Schicchi by G. Puccini.

Moisés was a student at the Centre de Perfeccionament Placido Domingo at the Palau de les Arts de Valencia. He spent two years there performing in various flank roles in operas such as Vespri Siciliani, Philemone und Baucis, Lucrezia Borgia, Werther, Madame Buttefly, Peter Grimes, Traviata, Bastian und Bastiene, Il mondo della Luna and Tosca. During this period he studied with various names such as Placido Domingo, Fabio Biondi, Roverto Abbado, Mariella Devia, Gregory Kunde, Emilio Sagi y Davide Livermore

First Overall Winner at the Ciudad de Logroño International Singing Competition and Special Zarzuela Prize. A pupil of bass Carlos Chausson and soprano Renata Scotto, he was part of the Opera Studio Ensemble of the Accademia Nazionale di Santa Cecilia in Rome. He studied flute at the Victoria Eugenia Conservatory in Granada, his home town, where he began studying the account with Granada soprano María del Coral Morales. His last technical references were the bass Eric Halfvarson and the soprano Mariola Cantarero.